1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63858
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63888
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63889
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63890
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows the head of Mary.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63891
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail represents the elect.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63892
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the left.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63893
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other. Christ's feet rest on a sphere, symbol of the universe. With his right hand, he blesses those who are saved and with his left curses those who are damned. These two gestures are emphasized by appropriate emblems, respectively, a lily and a blazing sword. Beneath Christ stands St Michael, prince of the heavenly hosts. He is pictured as young, because he is immortal and as handsome, because he is the embodiment of divine justice. He holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63894
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63895
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune St Michael holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" (this picture) and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63896
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the central panel. Four angels sound trumpets at the feet of Christ; they announce the Last Judgment and waken the dead. They surround the Archangel Michael, who, resplendent in his white robe scarlet cloak, impassively weighs the resurrected. The scale on his left sinks under the weight of the sins of one of the damned screaming in terror while in the other, one of the chosen seems to be expressing his thanks to the Archangel. One cannot fail to admire the delicate brushwork and colouring of the brooch holding the Archangel's cloak.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63897
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the right.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63898
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63899
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the third panel from the right: group of the damned.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63900
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss. In line with traditional thinking, the dead have all risen at the age of 33, Christ's age when he died. The damned souls among them, crying out in despair, move of their own accord toward the fiery mouth of Hell. The limbs of the angular nude figures, still very Gothic in concept, create a complex interlocking pattern.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63901
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63902
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
Painting ID:: 63903
248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious
Painting ID:: 64218
The Last Judgment
painted The Last Judgment in 1588 Date ca. 1588(1588)
Medium Oil on panel
Dimensions 298 x 363 cm (117.3 x 142.9 in)
Painting ID:: 82457
between 1420(1420) and 1425(1425)
Medium Oil on wood transferred to canvas
Dimensions Height: 56.5 cm (22.2 in). Width: 19.5 cm (7.7 in).
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Painting ID:: 88192
second half of 15th century
Medium oil on panel
Dimensions Height: 99.5 cm (39.2 in). Width: 60.3 cm (23.7 in). (central panel)
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Painting ID:: 92767
Jacob de Backer (c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585.
According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty.
Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg.
He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from
The Last Judgment 1580s
Medium oil on canvas
Dimensions 152.5 X 242 cm
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